Jens Wendelboe
Award winning Trombonist, Composer, Arranger, Clinician - Get CD's and Sheet Music Here!

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1 76-77 Electric Trumpet: Fred Nøddelund Syntheziser: Helge Iberg
2 Leddy Freddy Tenorsax.: Odd Riisnæs
4 Timbuktu Electric trombone: Jens Wendelboe
3 Günther Balade Electric trombone: Jens Wendelboe
5 Cactus Guitar: Frode Alnæs Tenorsax,: Knut Riisnæs
6 When You’re Gone Trombone: Jens Wendelboe
7 Secret Name Electric trumpet: Fred Nøddelund Electric trombone: Jens Wendelboe
8 Suite To Bjørn*Altosax: Arild Stav Piano: Helge Iberg Drums: Svein Christiansen Guitar: Frode Alnæs
* Suite to Bjørn won the Nopa`s award Musicpiece of the year 1982
9 Duo Altosax: Johan Bergli Piano: Helge Iberg
Made with a solid force of Norwegian jazz musicians, this new printing of Wendelboe’s first album is refreshingly competitive with international music of the same genre. The sound is fresh, cheeky, rough and brassy; full of the qualities and energy that belongs to a special composer and trombonist. It features “Suite to Bjørn” for which Jens was honored with “The Music Piece of the Year” by the Norwegian Organization for Popular Authors.
Arranged, composed and produced by Jens WendelboeMusicians

Trumpets:
Christian Beck
Fred Nøddelund
Bernt Steen
Ole Edvart Antonsen  

Saxes:
Johan Bergli – alto
Arild Stav – alto
Knut Riisnæs Odd Riisnæs – tenor
Vidar Johansen – baryton
Trombones:
Tore Nilsen
Harald Halvorsen
Dag Eriksen
Øyvind Westby  

Piano & Synth
Helge Iberg
Bass
Tom Erik Antonsen
Guitar
Frode Alnæs
Drums & Perc.
Svein Christiansen
Produced by Jens Wendelboe. Associate producers: Fred Nøddelund and Jan Erik Kongshaug.
Digital CD-mastering: Mikkel Schille, Norwegian Music Productions Ltd., 1889. All photos: Helene Levánd Cover and booklet design: Fred Nøddelund, M&N a/s og Madla Hruza
Special thanks to: NOPA, Komponistenes Vederlagsfond, my family, Anne, Fred Nøddelund, Kristian Lindeman, Helene and all musicians for making it all possible.
Recorded at Talent Studios by Jan Erik Kongshaug


Both as a friend and teacher, I’ve had the great pleasure in waching Jens’ development through, I think, an important phase of his becoming one of the most sought after trombone players and music writers in the business. All the while, I`ve been most impressed by his unique style of arranging sounds on paper. It`s so fresh and cheeky, rough and brassy, full of the same exuberance that characterized his whole pesonality. Nasty. That`s it. Jens Wendelboe is a delightfully nasty writer. And this is because Jens exudes ENERGY. On all levels. His entire personality seems to be molded around an ever core of pure action. Whether he writes a jazz big band piece or an orchestral composition in a contemporary “serious” vein, he discloses qualities that belong to a very special composer of music. In addition , he posesses the keen ear to employ highly advanced theoretical know-how in a very personal fashion, and at the same time portioning it out with the control of means and discipline of a true professional.

Bjørn Kruse The Royal State Academy of Music, Composition Dept. Oslo, March 8, 1983